It is an invaluable resource that displays how one of the greatest and most reclusive powers wanted their people to envision the rest of the world, as well as being an idiosyncratic tour through Russia's rich and varied history of animated art. Offers a fascinating look at the history of Soviet propaganda. Generally agreed to be the first Russian animated film, it satirizes the communist members who cashed in on Lenin's New Economic Policy (NEP), which introduced a limited form of capitalist enterprise. Dziga Vertov's SOVIET TOYS (1924), however, offers criticism of the state. (DISC 4) ONWARD TO THE SHINING FUTURE: COMMUNISM contains 11 works, most of which mythologize the state and envision the inevitable utopias of the future. In INTERPLANTERY REVOLUTION (1924), capitalists escaping to Mars discover the revolution has spread throughout the galaxy. (DISC 3) CAPITALIST SHARKS contains six films that take on the bourgeoisie the world over - and sometimes beyond. After breaking the non-aggression pact and declaring war, the Nazis became animals in the propaganda films, turning into snarling warthogs and depraved vultures. While Americans were mocked relentlessly, at least they remained human. (DISC 2) FASCIST BARBARIANS is a 17 film reaction to the Nazi invasion of 1941. The recurring image is of the money hungry industrialist self-destructing because of his greed. (DISC 1) AMERICAN IMPERIALISTS contains seven films, almost all of which are drawn from the Cold War era.
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The set is divided thematically into four discs, all dealing with different subjects of the Soviet propaganda machine. "A landmark four disc Box Set - Unearthed from Moscow's legendary Soyuzmultfilm Studios, the 41 films in ANIMATED SOVIET PROPAGANDA span sixty years of Soviet history (1924 - 1984), and have never been available before in the U.S. Also examines the next wave of the AIDS epidemic in some of the most populous and strategically important nations in the world, including Russia, India and China, and tracks the same pattern of official denial and political indifference that characterized the epidemic in so many other countries. While the discovery seemed to signal a new era in which AIDS was no longer a fatal disease, the high price of the drugs meant they were unaffordable to patients in developing nations. Part two explores the chasm that emerged between rich and poor following the development of the miraculous "triple cocktail" HIV treatment. Reveals the astounding spread of the infection to over 70 million infections in 2006.
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Traces the international response in the first years of the epidemic, contrasting moments of inspirational leadership with the tragedy of missed opportunities. Part one follows the trail of a medical mystery which began in 1981 when five gay men in Los Angeles were diagnosed with a deadly new disease.